Is underwater photography difficult? Actually, no—at least, not to any significant degree when compared with any other discipline of photography. Each single stage of creating an underwater photograph, if seen in isolation from the rest, is not so tricky. It is the sum of all its parts, as well as mastering the whole, which can appear confusing at times.
Selective color is a multi-step procedure in postproduction of images, allowing certain colors to be highlighted while removing color in the rest of the image. Underwater photographer John A. Ares gives us a step-by-step look at how one can use this unique effect to transform underwater images into artistic creations.
Branding videos, sponsored posts, social media marketing... confused? We interviewed digital media marketing consultant and underwater photographer Brent Durand to get the scoop on what these services are and how they can benefit your dive business and increase your sales.
—A rare look behind the making of an iconic image. From conception of the idea to the execution, you will be surprised how little of it was left to chance.
After the coronavirus lockdown was imposed in my country in March 2020 and all my dive trips were cancelled, I only had one event left on my calendar—an underwater model shoot
In this article, the final one in the series, I will explain my personal experience with wide-angle underwater photography using the Olympus OM-D EM-5 camera.
— Close-up Underwater Photography with Mirrorless Cameras
In this article, the fourth in the series on mirrorless cameras, we will look at the potential of these cameras for macro underwater photography. In this article, the fifth in the series, we will take a close look at how the Olympus OMD-EM5 mirrorless camera performs underwater, but first a quick refresher on the story so far and why the OMD.
While the number of camera manufacturers with horses in the mirrorless race has now reached critical mass with the recent entrance of Canon and its EOS-M, and the earlier entrance of Nikon with the J1 and V1 cameras, the number of models available has grown even more. However, for underwater photography the choices narrow somewhat and the early entrants in the mirrorless race, Olympus, Panasonic and Sony, are very much in the lead.
In order to create images with point-and-shoot digital cameras that are a step above snap-shots, we have to use the same techniques used with DSLR cameras. By using a few different techniques, one can get outstanding results no matter what size camera is used.
Taking photos underwater without a flash is not common, but it actually is easier than using a flash. I have a few tips and advice for getting good results.
