Is underwater photography difficult? Actually, no—at least, not to any significant degree when compared with any other discipline of photography. Each single stage of creating an underwater photograph, if seen in isolation from the rest, is not so tricky. It is the sum of all its parts, as well as mastering the whole, which can appear confusing at times.
We take photographs for different reasons: to identify the sea life we find, for the sheer pleasure of making images, or perhaps as a method of personal expression. It is the latter, personal expression, that leads us to the creation of art. John A. Ares discusses the creative use of compositing in postproduction.
One of the biggest challenges to using strobes in underwater photography is positioning. In this article, Kate Jonker offers six simple steps to better strobe positioning for wide-angle underwater photography.
Selective color is a multi-step procedure in postproduction of images, allowing certain colors to be highlighted while removing color in the rest of the image. Underwater photographer John A. Ares gives us a step-by-step look at how one can use this unique effect to transform underwater images into artistic creations.
In this series of articles on postproduction of underwater images, we have worked a lot on white balance settings, basic and advanced exposure corrections, contrast and curves, advanced techniques of removing colour casts, basic and advanced retouching, final colour boost, cropping and sharpening. Finally, our image is ready! And now, we arrive at the question: What do I do with it?
The sharpness of a photograph depends on the camera in use, the lens and the camera settings. Every lens has an optimal range with respect to its sharpness performance.
Branding videos, sponsored posts, social media marketing... confused? We interviewed digital media marketing consultant and underwater photographer Brent Durand to get the scoop on what these services are and how they can benefit your dive business and increase your sales.
—A rare look behind the making of an iconic image. From conception of the idea to the execution, you will be surprised how little of it was left to chance.
Adobe Photoshop is the number one tool for image editing and provides a large number of editing tools and options—far too many of them actually. But the good news here is that, for editing our underwater images, we only need a few.
After the coronavirus lockdown was imposed in my country in March 2020 and all my dive trips were cancelled, I only had one event left on my calendar—an underwater model shoot
A color cast is a tint of a particular color, usually unwanted, which affects the whole photographic image evenly.
