Still photography

Showing Scale: Contributors' Picks

Three large, female tiger sharks approaching the feeder, Tiger Beach, Bahamas
Photo by Matthew Meier: Three large, female tiger sharks approaching the feeder, Tiger Beach, Bahamas. Gear: Nikon D810 camera, Sigma 15mm fisheye lens, Subal housing, two Sea&Sea YS-250 strobes. Exposure: ISO 200, f/8, 1/100s

In underwater photography, "scale" can mean a couple of things: how big or small a thing is or the myriad of tiny plates on the skin of a fish. We asked our contributors what their favorite underwater photos were that showed scale. And playing on the pun, they came back with a creative mix of macro, wide-angle and close-up abstract images.

Contributors' Picks: Bold & Beautiful

Risbecia tryoni nudibranch
Photo by Matthew Meier: Risbecia tryoni nudibranch moving over a pink sponge, Puerto Galera, Philippines. Gear: Nikon D810 camera, Nikon 105mm macro lens, Subal housing, two Sea&Sea YS-250 strobes with snoots. Exposure: ISO 200, f/18, 1/250s

Many marine creatures have defensive mechanisms—they may sting, have venom, sharp spines, warning colors, or bite. We asked our contributors what their favorite underwater photos of these bold and beautiful critters were, and they came back with a variety of subjects like colorful nudibranchs, cnidarians that sting, scorpionfish with sharp spines, sharks and even crocodiles with sharp teeth.

My Favorite UW Pix: "Sea Legs" — Contributors' Picks

Frogfish, photo by Sheryl Checkman
Photo by Sheryl Checkman: Frogfish, Edge dive site, Alor, Indonesia. Gear: Olympus OMD EM5 Mark II camera, M. Zuiko 9-18mm f/4.0-5.6 lens at 9mm, Olympus PT-EP13 housing, Sea&Sea YS D-1 strobe. Exposure: ISO 200, f/4.5, 1/125s

We asked our contributors what their favorite underwater photos were of the legs, arms or tentacles of critters underwater. And they came back with a variety of subjects from curious crustaceans and cephalopods to jellyfish, sea stars, feather stars, frogfish and even people underwater.

UW Photo: Compositing

Diver Space­scape, composite by John A. Ares
Diver Space­scape, composite by John A. Ares

We take photographs for different reasons: to identify the sea life we find, for the sheer pleasure of making images, or perhaps as a method of personal expression. It is the latter, personal expression, that leads us to the creation of art. John A. Ares discusses the creative use of compositing in postproduction.

My Favorite Underwater Images: Angling Up—Contributors' Picks

Giant Pacific manta ray
Giant Pacific manta ray in Revillagigedo Islands (Socorro), Mexico. Gear: Olympus OM-D E-M5 camera, Nauticam housing, Panasonic 7-14mm lens, dual Sea&Sea strobes. Exposure: ISO 500, f/10, 1/125s

We asked our contributors what their favorite underwater photos taken with their camera angled upward were, and they returned with a variety of subjects captured while looking up... from delicate macro marine life to floating jellyfish, from majestic manta rays to divers and even birds.

Smögen Photo Week in Sweden in July

Grand Prize, Dive Environment category: Rikard Godlund
Grand Prize, Dive Environment category: Rikard Godlund

A new photo competition has taken root on the western coast of Sweden, where local and international participants enjoy an exciting week of shooting underwater in Smögen, competing for attractive prizes. One of the contest’s organisers, Annika Malmberg, shares the story of the event, from the initial idea to the final result, as well as plans for its future.

My Favorite Circles, Curves, Bubbles & Swirls: Contributors' Picks

big-eye jacks, Liberty wreck, Bali, Indonesia
Photo by Scott Bennett: Circular swirling school of big-eye jacks, Liberty wreck, Bali, Indonesia. Gear: Nikon D200 camera, Sigma 10-20mm lens at12mm, Hugyfot housing, two Ikelite D125 strobes. Exposure: ISO 100, f/4.5, 1/100s

We asked our contributors what their favorite underwater photos featuring circles, curves, bubble shapes and swirling patterns were, and they came back with a diverse selection of subjects from delicate macro marine life to majestic manta rays and giant whale sharks.

Panasonic Lumix GH6

It supports an improved in-body image stabilization (up to 7.5 stops) and upgraded video features. The new sensor delivers 14fps in AF-S mode (8fps in AF-C mode) when using the mechanical shutter, and 75fps (in AF-S mode) with the electronic shutter. The GH6 can record 4K/120p video at 10-bit 4:2:0. Furthermore, full V-Log/V- Gamut has been added, providing up to 13+ stops of dynamic range.

The GH6 features a 3.68M-dot OLED electronic view- finder and is equipped with dual card slots: a CFexpress (Type B) slot and an SD UHS II

slot.