Still photography

Transparent & Translucent: Contributors’ Picks

Photo by Kate Jonker: Translucent strawberry anemones, Corynactis annulata, can be made to glow by lighting with a snoot positioned above and slightly behind them. Simon’s Town, South Africa. Gear: Canon EOS 7D Mark II camera, Canon EF 100mm macro lens, one Inon strobe with Marelux SOFT Pro snoot. Exposure: ISO 100, f/25, 1/250s

We asked our contributors to share their favorite underwater photos showing the transparent and translucent qualities of underwater creatures, and they came back with a range of macro and wide-angle shots featuring a variety of marine life.

Pure Light: Shooting with Ambient Light in UW Photography

Striped dolphins, southern Egypt
Striped dolphins, southern Egypt

Photographing in ambient light can be a choice or a necessity. It is therefore important to develop an adequate sensitivity to ambient light in order to be able to judge whether it is the best option for shooting a particular scene. Claudio Ziraldo offers some insights and tips on how to improve your underwater images.

Photo of a diver on the wreck of the Stolt Dagali off the New Jersey coast in the United States, which has been modified by Generative Fill AI in Photoshop. The original image is inside the dashed-line border.

New Video on AI in Underwater Photography

Have look at this video of an excellent, informative and entertaining presentation on the use of artificial intelligence (AI) in underwater photography, namely Generative Fill in Photoshop, by regular contributor and avid underwater photographer and technical diver Michael Rothschild.

Tones & Tonality: Contributors' Picks

Photo by Scott Bennett: Bigeye jacks, Sipadan, Malaysia—cool tones. Gear: Nikon D200 camera, Sigma 10-20mm lens at 10mm, Hugyfot housing, two Ikelite D125 strobes. Exposure: ISO 100, f/6.3, 1/80s.

We asked our contributors to share their favorite underwater photos that showcase tones and tonality, and they returned with a range of wide-angle and macro shots featuring a variety of marine life, reefs and topography.

Fluoroscent Photography Underwater

On a night dive in the Philippines several years ago, I had an opportunity to do a "fluoro" night dive. Atlantis Dive Resort rented blue underwater flashlights and yellow filter shields that went over divers' masks. Geared up, I set off into the night. The blue light was very dim and the dive was much darker than a normal night dive.

Seascapes: Contributors’ Picks

Photo by Matthew Meier: Scalefin and purple anthias over leather soft coral and a sea fan covered in pink and purple soft corals, Bligh Waters, Fiji. Gear: Nikon D810 camera, Nikon 16-35mm lens, Subal housing, Sea&Sea D3 strobes. Exposure: ISO 800, f/6.3, 1/125s

We asked our contributors to share their favorite photos that show underwater seascapes, and they came back with a range of wide-angle shots, featuring a variety of marine life large and small.

Pairs & Companions: Contributors’ Picks

Photo by Anita George-Ares
Photo by Anita George-Ares. Thorny seahorses, Dumaguete, Philippines. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 60mm f/2.8 macro USM lens, Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/11, 1/160s

We asked our contributors to share their favorite photos that show pairs and companions, or two of a kind, and they returned with a range of macro to wide-angle shots, featuring a variety of marine life large and small from around the world.

Framing in Underwater Photography: Contributors' Picks

Photo by Kate Jonker: Using the light of a snoot to frame a subject against a black background. Horned blenny, Blousteen, Gordon’s Bay, South Africa. Gear: Canon R5 camera, Canon 100mm macro lens, Marelux MX-R5 housing, Inon Z-240 strobe, Marelux SOFT Pro snoot. Exposure: ISO 320, f/20, 1/200s.

What does a “frame within a frame” look like in underwater photography? We asked our contributors to share their favorite photos that use “framing” to draw attention to the subject in the image, and they came back with a range of macro to wide-angle shots, featuring a variety of marine life, as well as divers, in wrecks and on reefs.